Whilst cleaning an exhaust duct on a restaurant roof, drummer Jason Barnes received an electric shock of 22,000 volts. It resulted in the amputation of his right arm.
Jason assumed his playing days were over until he contacted Gil Weinberg, a professor of music technology at Georgia Tech. Weinberg built a robotic prosthesis which allowed Jason to play the drums once more.
Jason's robotic arm reads signals from his bicep to control the movement of the stick. A second stick is controlled by an algorithm that allows Jason to play advanced improvisational patterns.
In the video below, Jason discusses the incident and explains how his prosthesis lets him play drums once more.
Deirdre O'Callaghan's new book, The Drum Thing, arrived and we were excited to take a closer look. Prepare those peepers. Click or tap here for more.
Our interview with Alex Sowinski from the prodigious BadBadNotGood. "I'm not really going for the Modern Drummer cover or anything." Click/tap for more.
Our interview with Anna Prior from Metronomy. "Playing drums changed my life. It changed how I thought about the world." Click or tap here fo' mo'.
We interviewed Alan van Kleef about making metal drums in Sheffield. He's a Man of Steel. Geddit?
"I look at stuff online, and some days I think, ‘I’m a f**king joke, I can’t do that.’ But then I’ll sit and play, and something will happen.” Elbow's Richard Jupp in Issue 15. Click here to open.
"I used to dream about being a session player. I didn’t know if I could ever do it.”Our interview with Steve Gadd in Issue 15 of The Drummer's Journal. Click here to read.
“Ever since I was a little kid, I would say, ‘What’s the point of being a musician?’ I could never really come up with an answer.”
“The best thing you can do is get a van and get out there. And you have to be ok with not getting paid for anything.”
We interviewed CPL Mat Kilcoyne about life as a drum set player in the British Army. for the feature, click here.

Our interview with Mark Sheppard from Supernatural. Honestly it's really good. Click or tap here fo' mo'.